REBLOGGED FROM DIGITAL SHORTBREAD!
My apologies for a late posting today, folks. But better late than never, right? Joining in the discussion today we have Courtney from On the Screen Reviews. That site is a great one to go to if you’re looking for a variety of film reviews and yearly Top Tens. Check it out if you haven’t already, you won’t be sorry! Thanks again for helping us make this blogathon a great one Courtney, the floor is yours!
Three Rows Back and Digital Shortbread are hosting the Decades Blogathon, a 10(ish) day event in which film critics take a look at movies from different decades. This month we’re choosing films from any decade with the year ending in ‘6’ (given that it’s now 2016), and there’s no restrictions.
For my contribution, I’ve chosen to cover the coming-of-age classic that made the train dodge a timeless pastime, Stand by Me.
You guys wanna see a dead body . . . ?
“I was 12 going on 13 the first time I saw a dead human being. It happened in 1959, a long time ago, but only if you measure in term of years.”
With the overhaul of pre-teen movies that force your brain to regress in order to comprehend, it should be unanimously agreed that Stand by Me follows a blueprint of movie making that seems impossible to recreate. Recent movies like Super 8 attempted to capture youthful nostalgia, but didn’t dig deep enough to reach the gritty reality of adolescence. Stand by Me offers no gimmicks, no aliens, no gadgets, but raw human emotion.
Stand by Me is a movie about four 12-year-old-boys living in a small town in Oregon around 1959 who go on a total boy adventure Labor Day weekend to find an undiscovered dead body. It’s narrated in present-day by a novelist (Richard Dreyfuss) who recalls the weekend that inspired his writing. (That old 80s computer tho! If that doesn’t resonate with you, I don’t know what will!!!)
Their weekend journey is the first taste of real life for the four boys and the last real taste of innocence; I think this is what resonates with viewers like myself the most. It eliminates the awkward introduction of girls into their lifestyle (because they haven’t reached that point in life yet), and focuses on more pertinent philosophical questions of that age like “Do you think Mighty Mouse can beat Superman?” Conversations around the campfire seem endless and pinky swears seem bound in blood.
The movie takes another risk filmmakers refuse to take today — it’s rated R! It’s unpretentious, hilarious and absolutely genuine with its plot and dialogue. Kids at the age of 12 are going to swear as much as this movie suggests, so why bleep it out? Stand by Me keeps it real, most notably with it’s script, which translates to some of the best scenes by young actors in cinematic history.
Here are some of my favorites scenes:
The movie really hones in on small town life and what it’s like to know everybody. In the junk yard scene where the crotchety man calls Teddy’s (Corey Feldman) father “a looney,” Teddy erupts, “I’m going to rip off your head and shit down your neck!” Firstly, what a creative and vulgarly descriptive insult! Teddy’s father allegedly stormed the beach at Normandy, and despite his father being total garbage to Teddy, he has the utmost respect for him. That’s commendable, and it unfolds layers of Teddy’s character that are deeper than one may anticipate. If it isn’t obvious, this movie really shows that boys have emotions too.
Kiefer Sutherland in any scene
Kiefer Sutherland is a bona fide badass in this movie, and he’s one of the most believable assholes on screen in the 80s! It takes effort now-a-days to convince me that a character is the scum of the Earth, mostly due to poor acting or casting decisions, but Sutherland embodied every aspect of the sociopath Ace. Despite stealing every scene he’s in, the most character defining scene comes at the end where he affirms that he’s willing to kill a kid to get what he wants. Great acting and character embodiment by Sutherland. I would not fuck with him.
The train dodge scene is probably the scene most associated with the movie and one of my personal favorites. What I love about the train dodge is the giant metaphor being slammed in your face that the train is your life — it’s coming no matter what, and you damn sure better be ready for it. Not only is it one of the more hilarious, heart-pounding scenes, but it’s an affirmation that some kids can handle it and some can’t.
The deer scene comes as a breath of fresh air in-between dramatic scenes offering a reflection for both the character of Gordie and the audience. It showcases Gordie’s consciousness as a child in that he is in-tune with his creativity as an aspiring writer. There are also subtleties of the scene that I love — his smirk, the comic book he’s reading, the fact that no one else saw the deer and that he keeps the moment to himself . . . until now.
The Closing Scene
“Chris did get out. He enrolled in the college-courses with me. And although it was hard, he gutted it out like he always did. He went onto college and eventually became a lawyer. Last week he entered a fast food restaurant. Just ahead of him, two men got into an argument. One of them pulled out a knife. Chris, who would always make the best peace tried to break it up. He was stabbed in the throat. He died almost instantly. Although I hadn’t seen him in more than ten years I know I’ll miss him forever.”
I think the last scene of the boys is probably one of the most relevant for the actors. The final shot of Chris Chambers (River Phoenix) walking into the distance slowly fading away is an eerie premonition of his actual fate of an overdose at the age of 23. The final scene really shows how friends grow apart in life, and that’s okay. The boys all have revelations that each is struggling with something whether it’s being bullied over weight or having an abusive parent . . . they all persevere and it shapes their characters. The character of Chris Chambers is one of my favorites, because despite coming from a crappy family situation, he had the ability to make his life better. It may sound cliche, but it shows the power of perseverance without the director making it overly showy.
This is a movie that resonates with me long after viewing and it’s really never left me.
Let me know your favorite scenes from the movie!