Review – Churchill

Thought Winston Churchill was behind the greatest gamble of the Second World War? Think again, according to this latest film centred on the iconic British leader.

Much like Shakespeare’s King Lear, the role of Churchill is a coveted one among thesps of a certain age and has been attempted more than a few times over the years on big and small screen alke.

Churchill PosterGary Oldman will be the latest to give the ‘victory’ sign when he stars in Joe Wright’s Darkest Hour later this year, but getting there first is Brian Cox, who gained considerable weight and shaved his head to achieve the physical embodiment of the former British Prime Minister. However, it is the way he humanises a man still regarded as one of the United Kingdom’s greatest figures that has won him particular acclaim.

Cox has spoken of the Shakespearean element to playing Churchill, and this is no more personified than in the Bard’s Lear, the great leader who is gradually sidelined whilst howling against a storm he no longer has control over.

ChurchillSet in the final days and hours leading up to Operation Overlord, otherwise known as D-Day on 6 June 1944, the film portrays Churchill as a man haunted by the slaughter that claimed the lives of tens of thousands of men at Gallipoli almost 30 years earlier and convinced the Allied invasion of France will be equally catastrophic.

Although the serving Prime Minster and Minister of Defence, Winston finds that his protestations count for nothing in the face of the united front taken by Supreme Allied Commander Dwight D. Eisenhower (Tony Slattery), British Army Commander Bernard Montgomery (Julian Wadham) and Field Marshall Alan Brooke (Danny Webb).

His reduced status as little more than a figurehead is a bitter pill to swallow for Churchill, whose tirades and self-pitying fail to impress his devoted, but increasingly frustrated wife Clemmie (Miranda Richardson), while even his trusted friend King George VI (James Purefoy) must talk him out of a misguided plan to be at the frontline of the Normandy landings.

ChurchillThere’s no doubt the angle taken by the film in chronicling the lead-up to one of the defining events of the 20th century is an interesting one, based as it is on the diaries of Brooke as well as other historical sources. It’s a shame therefore that Alex von Tunzelmann’s one-note script and Jonathan Teplitzky’s stagy direction fail to get away from the fact that Churchill would have worked better on television rather than in cinemas.

In case we hadn’t absorbed the message that the Prime Minister was against Overlord, the film, like a broken record, continuously has Churchill imploring Eisenhower, Montgomery and anyone else who’ll listen not to “make the same mistakes as before”. Cox raises his game to play a role he’s reportedly wished to portray for years, while Richardson is equally fantastic (the supporting cast do their best with limited material); however, neither are served by a script that stretches itself to breaking point to fill 90 minutes.

ChurchillThere are some nice moments here and there; in particular a beautifully played scene between Cox and Purefoy in which the King gently breaks his friend’s heart in an effort to save Churchill from himself. The crushing weight on the shoulders of Einsenhower and his senior military staff as they weigh up a decision that will ultimately decide the fate of the war is also effectively handled – lest we forget that D-Day was a leap into the unknown with potentially devastating consequences.

Excellent performances, however, cannot ultimately save Churchill from being an also ran in the long history of films involving one of history’s Great Britons.

A film blogger’s journey into indie filmmaking – writing/producing ‘Hearts Want’ short film

What can I say? Ruth is something of a hero for bringing her dream to life! Please support her project – she absolutely deserves it!

FlixChatter Film Blog

It’s been forty plus years in the making. No, no, it didn’t take me 40 years to write the script, though if I had written something as an infant I might’ve been a literary genius by now.

Some of you know my life’s been consumed by my short film project lately. Well, I had just launched the Kickstarter campaign to help fund the film, so I thought I’d share the journey of how I got here…

It feels as though I’ve been wanting to make a film for as long as I remember. Even in grade school, whenever the recurrent question ‘what do you want to be when we grow up?’ came up, I always proudly answered that I wanted to be a screenwriter. Yep, even long before I knew what a screenwriter was! For some reason, I had always had this longing to follow my late dad’s footsteps, who…

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Decades Blogathon — 12 Angry Men (1957)

Thomas J

It has been an absolute delight getting to deliver a third round of film reviews for the Decades Blogathon! On behalf of my excellent co-host Mark, of Three Rows Back, I would like to give everyone another round of applause for taking the time to write something for our little event. You guys make it possible. With any luck we’ll be back again for another, so if you found yourself missing out this year, keep those eyes peeled. Without further ado, here is my take on Sidney Lumet’s 1957 courtroom drama, 12 Angry Men


Release: Saturday, April 13, 1957 (limited)

[On Demand]

Written by: Reginald Rose

Directed by: Sidney Lumet

Something I didn’t expect to take away from Sidney Lumet’s astounding feature debut 12 Angry Men was just how much perspiration would be involved in the deliberations. An equally fitting title would have been 12 Sweaty Men. Of course…

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Decades Blogathon — Berlin: Symphony of a Metropolis (1927)

Thomas J

Here we are in the penultimate day in the 2017 edition of the Decades Blogathon. It’s been a really fun one to co-host yet again with the sterling Mark from Three Rows Back. With any luck this is a trend that will continue, it’s just so great having the contributions we’ve had three years in a row. So with that, I’d like to clear the floor for the featured reviewer of today — Charles from the wonderful blog, Cinematic. Please do check out his site if you have some time. 


Although cinema has always been continuously evolving since its inception, 1927 is perhaps the critical turning point in film. That year saw the debut of The Jazz Singer, the first major “talkie” that led to silent cinema’s decline and introduced the concept of spoken dialogue to the screen. 1927 also greeted audiences with the inceptions of F.W…

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Decades Blogathon — Empire of the Sun (1987)

Thomas J

Welcome back around to another week in ‘Decades.’ Lucky Number Seven may be entering into its final stretch these next few days, but it bears worth mentioning again — it’s been another really fun event for me and my wonderful co-host Mark of Three Rows Back. There were so many things to choose from — evidenced by the fact that no one claimed perhaps the most obvious choice, a certain Star Wars episode. Yet we do have another ‘Empire’ title in the mix though, and it is brought to you by Rob of MovieRob, who is returning for his third straight blogathon. His contributions have been greatly appreciated, and please do check out his site after you’ve read his piece! 

“Learned a new word today. Atom bomb. It was like the God taking a photograph. ” – Jim

Number of Times Seen – Between 5-10 times (Theater in ’87, video, cable…

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