Welcome to the penultimate day of the Decades Blogathon – ‘7’ edition – hosted by myself and my partner in crime Tom from Thomas J. For those who don’t know, the blogathon focuses on movies that were released in the seventh year of the decade. Tom and I are running a different entry each day (we’ll also reblog the other’s post) and today I’m very pleased to welcome Natasha from it’s the turn of the one and only Zoe from Life of this City Girl who is too-cool-for-school in her choice of QT’s Jackie Brown.
Plot: A middle-aged woman finds herself in the middle of a huge conflict that will either make her a profit or cost her life (http://www.imdb.com/title/tt0119396/)
A quick peek over at Tom’s blog alerted me to the fact that it was time for his and Mark’s annual Decades Blogathon. In the past I’ve been too petrified to take part – some seriously talented bloggers writing over here – but this year I knew I would have to take a shot at it. I chose Jackie Brown, one of the only Tarantino films I haven’t seen as my choice.
So I sat down with Jackie Brown. The film is very Tarantino – the long winding conversations characters have that seemingly have no point, the extremely long duration of the film, the presence of Samuel L. Jackson and a strong female character. It lacks his typical violence and his perplexing need to appear in every movie he directs, but you won’t hear me complaining about that.
The cast is wonderful. Pam Grier as Jackie Brown was entertaining with her fast and sharp dialogue, her attitude and her sassy personality. What a woman. She was equal to every man on screen and smarter than all of them combined.
Samuel L. Jackson is back again as Ordell Robbie, the man with questionable hair and even more questionable morals. Ordell is an interesting guy. He has some of the fastest dialogue and sharpest wit and his choice of the women he keeps are so different that it only serves to make him more interesting. There’s Melanie (Bridget Fonda), by his admission his blonde surfer girl, who has zero ambition and zero class; Sheronda (Lisa Gay Hamilton), a country girl taken off the streets by him and who doesn’t seem all there; and Simone (Hattie Wilson), who is an older lady with a lot of curves. I don’t know, it was an interesting part to his character that he’d want such a different range of women in his life. He’s also a criminal who is smart and dangerous and doesn’t care to take out an employee if he himself is in danger of exposure. His only real affection is for Louis (Robert DeNiro), a man who has just been released from prison. Louis is quite a loser of a character, an excellent performance by DeNiro who manages to look pathetic and washed out.
More notable cast members include Michael Keaton (Ray Nicolette) and Michael Bowen (Mark Dargus), the two cops that are tasked with capturing Ordell. They are both eager and very young, and Keaton especially shows that energy of a young and optimistic police officer. The last important character, Max Cherry (Robert Forster), reminded me of old Hollywood with his classic handsome look and persona. He seems like a hero from the early 1950s, and his character was one of the cleanest and most honorable in the movie.
The movie moves quite slow. Once again, typical Tarantino. It requires constant attention or you might miss something, and the director again takes his time getting through the elaborate plan he has set out for his characters. Even at the end they were still leisurely discussing things and there were a few moments where I could feel the grey hairs forming on my head. On two hours twenty minutes I was convinced that they weren’t ending the movie. Would there be more blindsiding? Would Jackie turn her car around and return to Max? There were a few seconds where I thought she would kill him, but that would have been against her character.
I really enjoyed Jackie Brown despite the long, long, LONG time it took to get through the film. The strong female characters, Tarantino’s disregard of what movies usually look like and the typecasting they subject to, the sharp dialogue and the ’90s tone to Jackie Brown made it worth the watch. I am also now really close to having watched all his films, and of this feat I am rather proud.
Thanks for hosting me Tom and Mark!