Debuts Blogathon: Quentin Tarantino – Reservoir Dogs (1992)

Debuts Blogathon

As the Debuts Blogathon, hosted by myself and Chris at Terry Malloy’s Pigeon Coop, nears its end, we’ve saved one of the very best till last. Tyson from Head in a Vice is covering the one and only Reservoir Dogs, Quentin Tarantino’s hugely influential 1992 debut. Tyson was the first movie blogger to follow me and I’ve followed his posts ever since. His site is a real one-of-a-kind, providing entertaining reviews of genre fare, as well as his long-term Project: De Niro to watch and review all of Bobby’s films and his popular Desert Island Films feature (I promise to sort mine out soon!). Simply put, this is a fantastic site you really need to be following.

Quentin Tarantino

Reservoir Dogs (1992)

When Chris and Mark posted about this project, I immediately knew I could only do it if I could grab Quentin Tarantino’s debut Reservoir Dogs.

Reservoir Dogs PosterFor my money, it’s the greatest directorial debut and the man has continued to inspire and make incredible movies in his uncompromising style. Luckily, I was quick off the mark and the boys gave me this movie to talk about. Now I have it, I’m here to offer my thoughts on the film, Tarantino himself and the lasting effects Reservoir Dogs has had on cinema.

Reservoir DogsWhat can I say about Reservoir Dogs that hasn’t already been said a million times, by people much more respectable than me? Not a lot, but I’ll throw some stuff out here anyway. For those that don’t know, the plot goes a little something like this: a diamond heist goes bad and the thieves are left to pick up the pieces back at their warehouse headquarters, all the while suspecting that a traitor in their midst sabotaged the operation.

Tarantino’s style can be seen immediately in the opening scene, and it showcases what most people associate Tarantino with – dialogue. The conversations his characters have in all his movies, I mean, you can tell a Tarantino film just by tuning in to a conversation. The smallest, most subtle things take on so much meaning and for me no one writes like this man. I didn’t see the film on its release (as I was 10-years-old), but I can imagine people watching it and wondering who the hell this Quentin Tarantino guy was; writing, directing and acting in his debut movie.

Reservoir DogsThen the opening scene kicks in and we are listening to some guys talking about random things like tipping and the subtext of Madonna’s Like a Virgin song. It just holds your attention, then the guys leave; the suave crew walking out of the diner in slow motion, set to the George Baker Selection’s super cool Little Green Bag. Wow. You’re just hooked, and here we are over 20 years later, the effect has not diminished at all.

Reservoir DogsI love how within this opening scene, where the issue of tipping the waitress comes up and Mr Pink’s refusal to tip, sets into action a discussion that not only tells us all we need to know about these characters, but even foreshadows the events of the film. Mr Pink won’t tip, showing he mostly cares only about himself (I’ll be honest, his argument is solid and I hate tipping). Mr White believes the waitress works hard and deserves a tip, which shows despite being a criminal he cares for people, which is what leads him to be so blindly trusting with regards to Mr Orange. Mr Blonde offers to shoot Mr Pink for a joke, foreshadowing his sociopathic tendencies. Mr Orange tells Joe that Mr Pink refused to tip, playing the part of a rat, which he is. Joe pressures Mr Pink to tip and he does, showing Mr Pink is ultimately a coward. All that is gleaned from an argument about a tip. That is great writing, and a standard which he has continued throughout his career.

Reservoir DogsIt’s a heist movie where we never actually see the heist. People always assume it’s a horrendously violent film, yet apart from the police torture scene – the camera even cuts away from the ear slicing – it really isn’t that violent. Most of it is set in a warehouse, with a small cast. Yet I can’t find a bad thing about it. Everything from the dialogue, to the cast and the music is not only perfect, but something which is synonymous with all of Tarantino’s films. He finds random music in Japanese clothing stores. He takes washed up actors and gives them the part of a lifetime. But mostly he just does what the hell he wants, when he wants.

Reservoir DogsAs a fan, the one thing I think I love more than anything else Tarantino-wise is that all the characters from his films are alive and real to him. They all play out in his head, and by doing so he has created an intricate, instantly recognisable movie universe – one which boasts a family tree of miscreants that overlap between movies in weird and wonderful ways. This chart shows the links, and it just emphasises the detail and thought that goes into everything he writes.

Reservoir DogsThese connections – however subtle they may be – bear little effect, if any, on the plots of Tarantino’s movies. Instead, they’re like Easter Eggs that reward observant onlookers: in-jokes that might mean nothing to us, but mean the world to their creator. Even in his early work, Tarantino was building his own giant playground, in which not only his individual movies co-exist, but their characters’ paths cross and intersect behind the scenes.

I could go on and on about it, but I’m merely scratching the surface. Ultimately Reservoir Dogs is a work of genius by a debut director and a film that, while he may have bettered in my opinion with Pulp Fiction, will easily stand the test of time. I’m hungry, let’s get a taco.

Over at Terry Malloy’s Pigeon Coop, Dave from ccpopculture provides a piece on New Zealand-born director Andrew Dominik’s 2000 debut Chopper. Head over to Chris’s site now by clicking here.

Tomorrow is the penultimate post in the Blogathon and comes courtesy of Shah from Blank Page Beatdown with his piece on Danny Boyle’s Shallow Grave. Don’t miss it!

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25 comments

  1. Pingback: Debuts Blogathon: Andrew Dominik – Chopper (2000) | Terry Malloy's Pigeon Coop
  2. Terry Malloy's Pigeon Coop · September 12, 2013

    Reblogged this on Terry Malloy's Pigeon Coop.

  3. Three Rows Back · September 12, 2013

    Brilliant post Tyson. Thanks for getting that done. I, like loads of others, became even more passionate about my love of movies after first seeing this. Great to have you as part of the Blogathon buddy.

    • Tyson Carter · September 12, 2013

      Thanks for having me, and being so patient!!

      And yes, I look forward to your Desert Island list one day 😉

  4. Terry Malloy's Pigeon Coop · September 12, 2013

    Really great piece mate. Still a brilliant film and an astonishing debut.

    • Tyson Carter · September 12, 2013

      Thanks Chris, and again, thanks for being so patient!! 🙂

  5. Zoë · September 12, 2013

    Loved this movie, excellent write up!

  6. Mark Walker · September 12, 2013

    Fine, fine work, from my main man, Carter. Excellent movie and quite possibly the best debut I’ve ever seen. Top write-up Tyson, me old son.

    • Victor De Leon · September 12, 2013

      This rocked Tyson. Great job and insightful as always. I love all of the connections, too. This indeed a great debut from QT. Nicely done, man!

      • Tyson Carter · September 12, 2013

        Much obliged Vic, much obliged 🙂

    • Tyson Carter · September 12, 2013

      Thanks Mark, really tried to do it justice, incredible film.

  7. ruth · September 12, 2013

    Great write-up Tyson! I could tell lots of love went into writing this one 😉

    • Tyson Carter · September 12, 2013

      Thank you Ruth! Yep, but when you love a film like I love this, I worried so much about messing it up and missing out vital points. Glad it turned out OK. 🙂

  8. Chris · September 12, 2013

    Nice write up, and I’m pretty much right there with you. Reservoir Dogs is still one of my favorites from Tarantino. Hell of a debut, with such iconic scenes that really stand the test of time. 🙂

    • Tyson Carter · September 12, 2013

      Thanks Chris. Definitely still stands the test of time, I always try to watch it each year, and it was a pleasure to see it again for this project.

  9. Pingback: Head In A Vice is 1!!! | Head In A Vice
  10. davecrewe · September 12, 2013

    Great review Tyson; I love how you pick apart the development of character in what seems like a random conversation at the start of the film (related to tipping). I saw a great video essay a while back that discusses how the conversation about “Like a Virgin” is actually an elaborate metaphor for Tarantino’s approach to Reservoir Dogs and even film in general. Check it out here: http://blogs.indiewire.com/pressplay/on-the-qt-1-reservoir-dogs

  11. ckckred · September 12, 2013

    Nice review. One of the best debuts of all time and Tarantino’s finest after Pulp Fiction. Great in-depth analysis on the tipping scene as well, it really is an omen for the rest of the film.

  12. Pingback: Debuts Blogathon: Chopper (2000) | ccpopculture
  13. karamelkinema · September 13, 2013

    very nice write up! I never notice the connections between these films in Tarantino Universe. I think it’s kinda great and fun things for the fan to try to figure out if there’s more connection between his films 😀

  14. sanclementejedi · September 13, 2013

    Lucky getting to pick this one dude. What a great film. I would love to have a chance to see this one on the big screen at some point.

  15. elroyrosenberg · September 14, 2013

    What a great film! Good review

  16. Pingback: Debuts Blogathon Wrap Up | Terry Malloy's Pigeon Coop
  17. table9mutant · September 21, 2013

    Great review. 🙂 And such a great debut! I actually think it’s still Tarantino’s best film.

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