Debuts Blogathon: Christopher Nolan – Following (1998)

Debuts Blogathon

It’s Day 7 of the Debuts Blogathon hosted by myself and Chris at Terry Malloy’s Pigeon Coop and next up we have Elroy from The Silver Screener‘s insightful take on Christopher Nolan’s low-budget neo-noir debut Following (1998). Elroy’s great looking site covers new releases in an intriguing way, while his Kubrick Awards dig deep into why cinematic ‘classics’ are so revered. As if that wasn’t enough, Elroy also does audio reviews on YouTube and SoundCloud. This guy’s got it covered!

Christopher Nolan

Following (1998)

Following is a beautiful film to watch. It unfortunately suffers from ‘amateur-itis’ in several ways, but had it been made by a Christopher Nolan 10 years into his professional career, I believe it would almost certainly be considered one of the great crime dramas of the modern era.

Following Poster As I said, it does suffer from ‘amateur-itis’ – a term I’ve made up to describe elements of a film that really tell us ‘this was made by someone early into his career’. There is a fight scene that isn’t the most amazingly shot sequence in film history. Some of the acting seriously lacks.

FollowingThe main character is referred to by Nolan as The Young Man, and played by Jeremy Theobald pretty well actually, although really there isn’t much to do emotionally – all the emotions are written into the dialogue. But the other two leads, Cobb and The Blonde, are not very well portrayed by their actors – Alex Haw (Cobb) seems to have difficulty making any of the swears he so often says seem needed, and Lucy Russell (The Blonde) just isn’t believable in the first place.

The sound mixing isn’t very good as well, which is somewhat surprising seeing as the editing of the shots is one of the better exponents of the film. A lot of the time it’s hard to hear what the actors are saying, yet I guess we can probably assume that Cobb’s swearing his head off.

FollowingBut put all of that aside and you have yourself with a pretty damn good film.

FollowingNolan’s direction early on, while the actual premise itself of ‘following’ was being explained, gives us a great connection to the action. We are viewing things from a faraway point, in the midst of cars blocking our view as they pass by, as people scatter the streets, like we’re the ones spying, like someone’s being watched, and that really taps into the tone of the film – black and white colours, two-faced people, two-faced situations. That’s one of the real feats of the film; how it establishes the mystery, the disguises these people represent.

The non-linear structure of the screenplay isn’t too dissimilar to that of Quentin Tarantino’s Reservoir Dogs in that it tosses back and forth between time periods, so the story isn’t told completely in a row. That technique, when harnessed properly, can be extremely effective. It is harnessed very properly in Following. It works so well because we feel confused in the beginning when the non-linear style kicks in, but by the end of the film we can understand why this is done – because the effect of mystery and deceit in confusing times is transferred perfectly from characters to viewer by Christopher Nolan.

FollowingFollowingBut I find that the film isn’t as similar to Reservoir Dogs as it is to one of my all-time favourite movies, The Usual Suspects. That story is also somewhat non-linear and told through flashbacks and a constant narrative from the protagonist, Verbal. That’s how the early goings work in Following – we hear The Young Man telling his story and giving background. But more than that is how the story unravels to such a point where it finally gets to the ending and the plot twist hits you over the head in a blaze of smoke and sudden surprise. That’s the best thing about The Usual Suspects and it’s also the best thing about Following. We know it’s perfectly choreographed because once you see the film and think back, you can visualise all the clues left, and say to yourself “wow, that’s damn smart”.

I have no doubt that this is Christopher Nolan’s love letter to noir films of the 50s; the Dial M for Murder’s, the Double Indemnity’s, the Sunset Boulevard’s. It was shot in lovely black and white; I was completely infatuated with its raw beauty, and even though I didn’t get the chance to watch it on a cinema screen, I could still feel the raw graininess of Nolan’s Following. That’s how lovely it was to watch. I could feel mystery in the air.

It was almost like it had put the thought in my mind that at any moment, I could turn around and find a completely unknown man following me.

Meanwhile, over at Terry Malloy’s Pigeon Coop, Kim from Tranquil Dreams provides a great piece on Hayao Miyazaki’s directorial debut The Castle of Cagliostro. Head over to Chris’s site now by clicking here.

Next on the slate I have the pleasure of introducing Mark from Marked Movies‘s take on Joel ‘Coen Brothers’ Coen’s Blood Simple. Hope you’re looking forward to this one as much as I am. See you then.


  1. Three Rows Back · September 9, 2013

    Excellent work Elroy. I watched this a year or two back and could identify the themes he has revisted throughout his career, such as identity. Very glad to have had you on board for our Blogathon buddy.

  2. Pingback: Debuts Blogathon – Christopher Nolan’s Following | The Silver Screener
  3. Pingback: Debuts Blogathon: Hayao Miyazaki – Lupin the Third: The Castle of Cagliostro (1979) | Terry Malloy's Pigeon Coop
  4. Terry Malloy's Pigeon Coop · September 9, 2013

    Great piece Elroy! Thanks for being a part of the blogathon 🙂

  5. table9mutant · September 9, 2013

    Good review. 🙂 I’d actually never heard of this film…

  6. Mark Walker · September 9, 2013

    Good look at this one Elroy. It’s the only Nolan film I haven’t seen but I quite like the sound of it. I must check it out as the film he followed this with (Memento) is one of my all time favourites.

  7. Terry Malloy's Pigeon Coop · September 9, 2013

    Reblogged this on Terry Malloy's Pigeon Coop.

  8. ckckred · September 9, 2013

    Nice review. I really liked Following but I prefer his later work more. His next film Memento is my favorite by him.

    • elroyrosenberg · September 10, 2013

      Fair enough. I’ll always be a Dark Knight fan first and foremost, but the guy does great in everything he does, no doubt.

  9. CMrok93 · September 9, 2013

    Goes to show you what type of story you can craft with a big enough brain in your head, regardless of how small the budget may be. Good review Elroy.

  10. Nick Powell · September 9, 2013

    Such a solid debut. I agree it’s amateur-ish at times, but still has a great premise and is full of twists and turns. Hope this review encourages more people to finally watch it. Nolan’s a lot more than TDK and Inception.

  11. Pingback: The ‘Debuts’ Blogathon! | Film Police
  12. cindybruchman · September 9, 2013

    Haven’t seen it, and appreciated your review. The plot sounds great.

  13. Tom · September 10, 2013

    Sounds really interesting, and I just HAVE to see it, considering it’s Nolan’s debut work. this is a brilliant idea here with the Blogathon! glad you’ve opened my eyes to some vintage films.

    • Three Rows Back · September 10, 2013

      Cheers buddy. Yeah, this has been a lot of fun to run.

  14. sanclementejedi · September 11, 2013

    This has been in my queue on Netflix forever, glad to hear that is worth checking out.

  15. Pingback: Debuts Blogathon Wrap Up | Terry Malloy's Pigeon Coop


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